Alexander Lee

Struggling to make sense of the Holocaust, one Hungarian novelist came to the startling realisation that the 20th century’s darkest moment might not yield any lessons for posterity.

The dead, white, male canon has not merely stifled African-American history so much as smothered it. One author has spent her career grappling with the problem of America’s whitewashed past, writes Alexander Lee.

The ideas of a French philosopher provided the great Egyptian novelist with a way of assessing the good and the bad in his nation’s past.

The son of a country whose history had been written by outsiders, Chinua Achebe recognised the need for African literature with a Nigerian voice.

Witnessing the slow decline of his native Sicily, the last Prince of Lampedusa saw both blame and possible salvation in the island’s unique location and history, writes Alexander Lee.

Is reality simply a collection of unconnected moments and impressions? If so, what does it mean for our understanding of the past? For one Argentine writer, fiction was the perfect place to explore such questions.

The Booker Prize-winning writer eschewed autobiographical novels for historical fiction in a bid to resolve the porous distinction between objective and subjective history, writes Alexander Lee.

The leading light of the French Annales school revolutionised the writing of history by imbuing it with wider, holistic, narratives and literary flair, says Alexander Lee.

The Austrian writer, whose short stories and novellas have recently enjoyed a new burst of popularity, used history to remind us that a better life is possible, as Alexander Lee explains in his new series.