Volume 61 Issue 2 February 2011

How Did Bismarck Do It?

The creation of the modern unified German state in January 1871 constitutes the greatest diplomatic and political achievement of any leader of the last two centuries; but it was effected at a huge personal and political price, argues Jonathan Steinberg.

The English Diet: Roast Beef and ... Salad?

The English diet has been mythologised as one of roasted meats and few vegetables but, as Anita Guerrini concludes from a survey of early modern writings on the subject, the nation’s approach to food has been rather more complicated than that.

Death of Ivan Pavlov

Richard Cavendish remembers Ivan Pavlov who died on February 27th, 1936. Pavlov won the Nobel Prize for physiology in 1904.

The Regency Period Begins

George Augustus Frederick was appointed Prince Regent to his father King George III on February 5th, 1811. He was a heavy drinker and a compulsive gambler.

The Northern Ireland Troubles: Holding the Ring

Few British soldiers have written of their experiences of the Northern Ireland Troubles. Here, former infantry officer Patrick Mercer recalls his tours, which offer lessons for today’s soldiers and politicians.

Rethinking Otto III – or Not

Chris Wickham revisits an article by J.B.Morrall, first published in History Today in 1959, on the strange, shortlived emperor who in the tenth century sought to rule the lands we now call Germany and Italy.

Give the Borgias a Break

As we soak up television dramas that revel in the scandalous personal lives of popes and kings, we are in danger of losing sight of these figures’ real historical importance, argues Tim Stanley.

British working-class painters: Jimmy's blob

The successful Broadway run of The Pitmen Painters, Lee Hall’s drama set in a north-east mining community, has introduced US audiences to a remarkable chapter in British working-class life, writes  Robert Colls.

Jan Gossaert: Northern Light

Jan Gossaert made his name working for the Burgundian court and was among the first northern artists to visit Rome, writes Susan Foister, curator of 'Jan Gossaert's Renaissance', the only exhibition in more than 45 years of works by this archetypal ‘Old Master’.