Painting in Medieval England: The Wall-to-Wall Message
Pamela Tudor-Craig looks at complex allegories, moral and theological, conveyed in images of considerable beauty which are still being recovered today.
Pamela Tudor-Craig looks at complex allegories, moral and theological, conveyed in images of considerable beauty which are still being recovered today.
Juliet and Malcolm Vale trace through the web of secular status and religious instincts that made up the codes of conduct of English chivalry.
Christian king or swashbuckling hero? The immense popularity of King Arthur in medieval romance gave considerable scope for a range of images.
Jonathan Alexander, the organiser of an exhibition on English Gothic Art at the Royal Academy, outlines its contents and objectives.
Janet Backhouse explores the Illuminated Books of Gothic England.
Is there a direct link between Julius Caesar, the Rome of the 1st century BC and a medieval world map in Hereford Cathedral? Peter Wiseman investigates the origins and purpose of one of the Age of Chivalry's exhibits.
What did the Pilgrim Fathers and other settlers write to the Old Country about? In a new study of their transatlantic correspondence, we find close connections between old and new worlds.
Ann Hills investigates the development of Mingulay a speck of Island at the southern tip of the Western Isles
Crispin Robinson looks into one of Sir John Soanes restoration of of Pitschanger Manor.
The spectacular defection of France's principal naval base to the British should be seen less as a master-stroke by forces of reaction and more as the anguished response of local moderates to the Revolution's extremes.