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Suzannah Lipscomb

Sunday Afternoon, by Leopold von Kalckreuth, 1893 © Bridgeman Images.Sunday Afternoon, by Leopold von Kalckreuth, 1893 © Bridgeman Images.

The presence of Covid-19 is a reminder of our new proximity to the fragilities and perils of the past.

Christ and the Woman taken in Adultery, by Guercino (Giovanni Francesco Barbieri), c.1621. Dulwich Picture Gallery/Wikimedia/Creative Commons.

In a time of crisis, empathy is the antidote to a culture of naming and shaming.

Cover of Pinocchio, by Carlo Collodi, illustration by Attilio Mussino, 1934 © Bridgeman Images.

In a post-truth world, how do we study history?

Rose and Bertha Gugger, by Albert Anker, 1883 © Christie’s Images/Bridgeman Images.

At what point does memoir become biography and biography become history?

Belittled: Simone de Beauvoir, 1945.

Restoring women to history presents challenges – and some opposition.

Woke: Mary Queen of Scots, early 17th century.

We like historical films to be factually accurate, but we also like them to reflect our sensibilities.

Impartial reviewer: Woman Reading, by Lovis Corinth, 1888.

How does the reader decide if a history book is worth their time?

Paradise lost: Native Americans in the Yosemite Valley, California, c.1870.

Blessed with beauty and wealth, California fails to come to terms with its past.

How will modern women respond to the realities of a 16th-century life?

Women’s realm: a birthing room, Dutch, 17th century.

The propagation of humanity has been a bloody struggle for women.