William Bird looks at how American business and commerce turned to the techniques of advertising and Hollywood to extol the merits of capitalism and free enterprise in response to the anti-corporate liberalism of the New Deal.
Homes for heroes? Gertrude Prescott Nuding argues that the inspiration behind and debates over the founding of Britain's National Portrait Gallery reveal the Victorian establishment at its most earnest about who was worth celebrating in 'our island story'.
Peter Burley looks at how changing times and political climates are echoed in the 20th-century's view of the Revolution on film.
Robert Thorne investigates the nineteenth-century passion for views that has inspired the exhibition about to open at London's Barbican Art Gallery.
Tim Tatton-Brown reviews the picture of one of Anglo-Saxon England's best-known saints built up at a major exhibition in Canterbury for the millennium of his death.
Margaret M. Byard investigates the intriguing links between the astronomical discoveries of Galileo and the paintings of his Italian contemporaries.
Pamela Tudor-Craig looks at complex allegories, moral and theological, conveyed in images of considerable beauty which are still being recovered today.
Jonathan Alexander, the organiser of an exhibition on English Gothic Art at the Royal Academy, outlines its contents and objectives.
Janet Backhouse explores the Illuminated Books of Gothic England.
'Where's there's muck, there's money'...but there was also culture and patronage of the arts in nineteenth-century Manchester and Leeds. By Janet Wolff And Caroline Arscott.
