Europe

Would a new Act in Restraint of Appeals such as Henry VIII enacted against Rome in 1533 achieve a similar objective for Eurosceptics today of ‘repatriating powers’ from the EU? asks Stephen Cooper.

Robert Pearce asks whether Britain benefited from the 1853-56 contest.

One hundred and fifty years after the establishment of the Kingdom of Italy, Graham Darby reassesses the contribution of one of the key players.

By reinterpreting the years before 1914 William Mulligan sees the 'July Crisis' in a fresh perspective.

Lindsay Pollick reviews changing interpretations.

Courtly love, celebrated in numerous songs and poems, was the romantic ideal of western Europe in the Middle Ages. Yet, human nature being what it is, the realities of sexual desire and the complications it brings were never far away, says Julie Peakman.

Dunia Garcia-Ontiveros considers the works of three authors who, during the religious fervour of 16th-century Europe, moved away from the Church and wrote about magic.

The desire of western governments, most notably those of Britain, to apologise for the actions of their predecessors threatens to simplify the complexities of history, argues Tim Stanley.

Medieval knights were the sporting superstars and military heroes of their day, who performed before an adoring public in the tournament. Nigel Saul explains their appeal.

Richard Cavendish marks the anniversary of the founding of Switzerland's first university, at Basel, on April 4th, 1460.

Jan Gossaert made his name working for the Burgundian court and was among the first northern artists to visit Rome, writes Susan Foister, curator of 'Jan Gossaert's Renaissance', the only exhibition in more than 45 years of works by this archetypal ‘Old Master’.

During the disturbed tenth century in Western Europe, royal power held its ground and extended its authority only in Germany-whence the Emperor Otto III sallied into Italy with the purpose of reviving Roman classical tradition and combining it with the dream of a Christian Commonwealth under imperial aegis. By J.B. Morrall.

At what point did it begin to matter what you wore? Ulinka Rublack looks at why the Renaissance was a turning point in people’s attitudes to clothes and their appearance.