Art

Jacqueline Riding examines how a 19th-century painting, created almost 150 years after the Jacobite defeat at Culloden, has come to dominate the iconography of that event.

Jan Gossaert made his name working for the Burgundian court and was among the first northern artists to visit Rome, writes Susan Foister, curator of 'Jan Gossaert's Renaissance', the only exhibition in more than 45 years of works by this archetypal ‘Old Master’.

In our series in which historians look back on the changes that have taken place in their field in the 60 years since the founding of History Today, Daniel Snowman takes a personal view of new approaches to the study of the history of culture and the arts – and of music in particular.

Nothing captures the past like a drop of perfume, says Roja Dove, connoisseur and curator of a recent survey of the history of perfume, as he sniffs out the fragrances that characterised their age.

Though they originated in China, it was in the capitals of early modern Europe that fireworks flourished. They united art and science in awesome displays of poltical might, as Simon Werrett explains.

Painter of genius, gifted courtier and much-travelled man of the world, Rubens reached England in 1629, charged with the delicate task of furthering an entente between the Spanish government and Great Britain. C.V. Wedgwood shows how he enjoyed the conversation of his youthful host, whose fine aesthetic taste he shared, but shrewdly judged the weakness of King Charles I’s diplomacy.

Stephen Gundle examines the political demise and commercial rebirth of the Italian dictator.

Sarah Gristwood on the complex issues raised by the restoration of a remarkable Tudor vision of victory over the Spanish Armada.

Miri Rubin explores the medieval galleries at the V&A and the British Museum.

Lucy Worsley reveals the strange stories of the cast of characters on the King’s Grand Staircase at Kensington Palace, painted by William Kent for George I in the 1720s.