The Battle for Art in the 1930s
David Elliott looks at how Mussolini, Stalin and Hitler used culture to their own ends and how the ramifications of this has continued to the present.
David Elliott looks at how Mussolini, Stalin and Hitler used culture to their own ends and how the ramifications of this has continued to the present.
Italy's Futurists - led by Filippo Marinetti - exploded onto the European cultural scene during and after the Great War with all the garishness and fizz of some of their founder's anarchic recipes. But was the menu taken up by Mussolini and his Fascists? Richard Jensen investigates.
We eavesdrop on Ian Dawson as he interrogates the sources and wonders whether the first Tudor was really so mysterious.
David Welch attributes the Nazi leader's electoral success to much more than slick propaganda.
Richard Wilkinson wonders why historians have accepted the Cardinal's extravagant assessment of himself.
Martin Daunton argues that Labour's commitment to public ownership owed little to socialism and more to circumstances at the end of the First World War.
Omer Bartov asks how the armies of lords and kings became the forces of peoples and nations.
T.C.W. Blanning argues that royalty in France undermined itself through mismanagement, despotism and sleaze.
Gerard de Groot argues that exploitation of silent majority fears about 60s student protest is the key to understanding Ronald Reagan's rise to prominence in Californian politics.
Andrew Boyd offers a bicentennial analysis of a key element in the culture of Protestant Ulster.