Manchester Metropolitan University

Suzannah Lipscomb

While it rightly condemns ISIS’ brutal destruction of the Middle East’s rich architectural heritage, is the West neglecting its own, more subtle cultural vandalism?

The increasing commercialisation of sites known for their gruesome and violent history raises troubling questions. But to ignore such events would be worse, argues Suzannah Lipscomb.

Suzannah Lipscomb looks beyond the stereotypes that surround our most infamous monarch to ask: who was Henry VIII and when did it all go wrong? 

A revolution in communications and new technology means that we now live in an age of speeded-up history. Historians should wake up to this shift, argues Suzannah Lipscomb.

Historians should adhere to a rigorous code of professional practice if they are to avoid the kinds of careless mistakes that bring their professional integrity into question, says Suzannah Lipscomb.

Are historians inevitably faced with a choice between academic analysis or popular narrative, or should they aim to master both skills, asks Suzannah Lipscomb.

Understanding the emotional lives of people in the past is one of the most difficult challenges facing the historian, argues Suzannah Lipscomb.

An inherent tension between the past and the present becomes explicit when we make our assessments of historical figures, argues Suzannah Lipscomb.

The strangeness of the past can be evoked more effectively in pick and mix fantasies than in those novels, films and TV dramas that aspire to realism, argues Suzannah Lipscomb.

Politics should be informed not just by history but by historians, argues Suzannah Lipscomb.

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