Ian Mortimer

In describing the violent culture of the fifth and sixth centuries, the term ‘Dark Ages’ has both meaning and resonance.

Speculation about the illegitimacy of England’s royal lines has been encouraged by the publication of the DNA of the last Yorkist king. But, argues Ian Mortimer, it is history rather than science that should lead the debate.

There aren’t enough books on Edward III. Decades of neglect have left his achievement obscured by huge clouds of pungent hot air generated by...

Academic history is crucial to the health of the discipline, but there are many other ways of engaging with the past.

Edward III’s 700th anniversary is a suitable moment to celebrate one of England’s greatest monarchs, says Ian Mortimer.

The historian’s desire for certainty is hard to square with the fragility of sources and their constant reworking by the profession. Casting a cold eye on the remaining evidence relating to the deaths of Edward II and Richard II, Ian Mortimer plots a way forward for his discipline.

Jean Genet once described the progress of the painter Rembrandt through his self-portraits, noting how the eager young artist, who clearly thought...

Everyone has a view on historical fiction, especially the readers of historical fact. As a result, any serious study of the subject is most...

In June 1381 large numbers of men from Essex and Kent forced their way into London and joined a number of...

By challenging the very idea of a continuous Anglo-French medieval war Ian Mortimer reveals the remarkable complexities of a series of distinct conflicts that began with a prophecy and ended with an English dynasty seeking the approval of God.