Daniel Snowman
 A new book attempts to answer the question: how did we reach our present state of collective knowledge? |
 A great deal of what passes for history might be said to be forged. This is particularly true of national histories, a subject explored in this new book. |
|
In our series in which historians look back on the changes that have taken place in their field in the 60 years since the founding of History Today, Daniel Snowman takes a personal view of new approaches to the study of the history of culture and the arts – and of music in particular. |
|
Daniel Snowman reviews a book by Tim Blanning |
|
Daniel Snowman reviews a work on the relationship between British historians and those on the continent. |
|
Opera has flourished in the United States. But how did this supposedly ‘elite’ art form become so deep-rooted in a nation devoted to popular culture and dedicated to the proposition that all men are created equal? Daniel Snowman explains. |
|
Daniel Snowman reviews a book on the Nazi occupation of France. |
|
Daniel Snowman reviews a book by Tim Blanning. |
|
Daniel Snowman approaches two books on aspects of sexuality, including some uncomfortable reading.
|
|
|
|
Daniel Snowman gives his verdict on this history of the Promenade concerts.
|
|
Daniel Snowman analyses this weighty volume on the development of European culture.
|
|
In the twenty-eighth and final essay in this series, Daniel Snowman meets John Morrill, historian of the Civil War, Oliver Cromwell and the recurrent political instability of the ‘Atlantic Archipelago’.
|
|
Daniel Snowman meets the historian of Poland, Europe and ‘The Isles’.
|
|
Daniel Snowman meets Jeremy Black, prolific chronicler of British, European and worldwide diplomatic, military, cultural and cartographic history, and much else besides.
|
- 1 of 4
- ››
This Month's Magazine
From The Current Issue
Adrian Mourby
|
E.L Devlin
|
Nigel Richardson
|
