Art
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EDITOR'S CHOICE
David Elliott looks at how Mussolini, Stalin and Hitler used culture to their own ends and how the ramifications of this has continued to the present. |
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The English royal line has included several notable collectors of art, as Doreen Agnew here documents. Published in History Today, Volume 3: Issue: 5, 1953
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According to this Essay in Archaeological Detection by Jon Manchip White, the famous legend of the loves of Tristan and Isolt may very well rest on a solid historical basis. |
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Peter Quennell says Hogarth’s great survey of the Humours of an Election is one of the masterpieces of English 18th century painting |
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“If ever a house radiated cheerfulness, that house is Versailles." Miss Mitford writes of the palace in the middle years of King Louis XV. |
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To an official court painter we owe the most harrowing records of the effects of revolution and war. W.R. Jeudwine discusses Goya and his times. |
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An 18th-century ménage à trois involving the King of Denmark inspired the recent film, A Royal Affair. Stella Tillyard considers what makes it a story for our times. |
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In the summer of 1941 a collection of paintings by serving members of the London Fire Brigade was exhibited in the United States. Anthony Kelly describes the success of a little-known propaganda campaign celebrating Britain’s ‘spirit of civilian heroism’. |
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Modern dance was born with the premiere of L'apres-midi d'un faune on May 29th, 1912. |
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Kate Retford explains how the artist Johan Zoffany found ways to promote a fresh image of royalty that endeared him to George III and Queen Charlotte – a relationship he subsequently destroyed. |
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James Whitfield on why the theft of a Spanish master’s portrait of a British military hero led to a change in the law. |
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The theft of the most famous painting in the world on August 21st, 1911, created a media sensation. |
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Though superb works of art in themselves, the wildlife paintings of Francis Barlow are full of rich metaphors that shed light on the anxieties and concerns of a Britain emerging from the horrors of civil war, says Nathan Flis. |
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Almost none of the large outdoor artworks commissioned for the 1951 Festival of Britain has survived. Alan Powers discusses one that did, a mural by John Piper, which returns to London’s South Bank this month. |
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Richard Almond describes how some rare wall paintings help shed light on medieval hunting. |
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As a major new exhibition on the Aesthetic Movement opens at the Victoria and Albert Museum, Richard Cavendish explores Bedford Park, the garden suburb inspired by the movement’s ideals. |
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