Van Dyck in England

Celia Jones previews this magificent exhibition at the National Portrait Gallery.

The first half of the seventeenth century in England saw a sudden flowering of aristocratic interest in the arts of connoisseurship and collection – in effect the Renaissance arrived in the British Isles. The man who most epitomises this new era is Sir Anthony Van Dyck – his title itself marking the departure from the days of the journeyman painter to the time of the genius among gentlemen.

To continue reading this article you will need to purchase access to the online archive.

Buy Online Access  Buy Print & Archive Subscription

If you have already purchased access, or are a print & archive subscriber, please ensure you are logged in.

Please email digital@historytoday.com if you have any problems.