Art

Peter Furtado previews a new exhibition devoted to J.M.W. Turner’s visits to the historic city in the first half of the 19th century.

Jonathan Conlin considers the history of heritage panics, from relics to Raphaels.

British reaction to the French tragedy at sea immortalised in Géricault’s masterpiece The Raft of the Medusa.

Matthew Stewart discusses Peter Weir's 1981 cinematic tour de force, and what it tells us about the ANZAC myth.

Pamela Pilbeam celebrates the bicentenary of the arrival of Madame Tussaud's waxworks in Britain.

Michael Rosenthal and Martin Myrone look beyond the traditional view of Gainsborough and argue for a view of the painter beyond that of society portraitist, as a modernist responding to the broader themes of his times.

Colin Jones discusses the art and artifice of the leading mistress of Louis XV.

Michael Paris describes the film record of the North African victory, and how the footage represents a tour de force in terms of wartime documentary and national effort.

Penny Young uncovers prehistoric rock art in Luxor.

One of the most admired and reviled film makers in the history of cinema was born on August 22nd, 1902.