Portrait of the Author as a Historian

In the chaos unleashed by the October Revolution, Mikhail Bulgakov found a past become fragmented and confused, and history the domain of madmen and devils.

Attempting to recover the human experience of Communism in the post-Soviet era, a Belarusian investigative journalist found pessimistic nostalgia in place of hope for the future. 

In newly independent Indonesia, nationalism, communism and Islam competed for the attention of the people. But the country’s greatest novelist saw humanity behind the ideologies. 

Angered by his native country’s rush towards western-style modernisation, the acclaimed Japanese author committed a shocking act of protest.

Struggling to make sense of the Holocaust, one Hungarian novelist came to the startling realisation that the 20th century’s darkest moment might not yield any lessons for posterity.

The dead, white, male canon has not merely stifled African-American history so much as smothered it. One author has spent her career grappling with the problem of America’s whitewashed past, writes Alexander Lee.

The ideas of a French philosopher provided the great Egyptian novelist with a way of assessing the good and the bad in his nation’s past.

The son of a country whose history had been written by outsiders, Chinua Achebe recognised the need for African literature with a Nigerian voice.

Witnessing the slow decline of his native Sicily, the last Prince of Lampedusa saw both blame and possible salvation in the island’s unique location and history, writes Alexander Lee.

Is reality simply a collection of unconnected moments and impressions? If so, what does it mean for our understanding of the past? For one Argentine writer, fiction was the perfect place to explore such questions.