Medieval

Copy of the 1225 Magna Carta. Bridgeman Images.

The Real Magna Carta

Less famous than its 1215 predecessor, the Magna Carta of 1225 held the true power.

The Wild Hunt of Odin, Peter Nicolai Arbo, 1872. Photo Jacques Lathion/Nasjonalmuseet Norway. Public Domain.

The Wild Hunt in England

The monks of Peterborough told strange tales of the Wild Hunt. Were they ghostly apparitions or wishful thinking?

Pelayo at the Battle of Covadonga, illustration, 1900. akg-images/Heritage Images.

Pelayo: the Reluctant Visigoth and the Reconquista

Pelayo, King of Asturias, is Spain’s first national hero, credited with beginning the Reconquista with his victory at the Battle of Covadonga. What do we really know about him?

A hunter with a beaver biting off its testicles. Miniature from the Physiologus, 14th century. Bayerische Staatsbibliothek, Munich. Public Domain.

Searching for the Soul of the Beaver

Are beavers beasts or fish? For medieval philosophers, this was an important question with implications for the dining table.

Rulers misleading their people, from the Discussions of Varro by Maïtre François, c. 1475-80. KB, National Library of the Netherlands. Public Domain.

‘The Crowd in the Early Middle Ages’ by Shane Bobrycki review

A tool for tyrants... or their undoing? The Crowd in the Early Middle Ages by Shane Bobrycki crafts a history for the medieval mob.

Marginal illustration showing the expulsion of Jews, the Rochester Chronicle, 1355. British Library/Bridgeman Images.

The Long Destruction of England’s Jews

The first year of Edward I’s reign saw waves of strictures placed on a medival Jewish community in an already perilous situation. It set the path to their expulsion.

Henry II, Young Henry, and Richard I, from Historia Anglorum, 1250-59. British Library/Bridgeman Images.

Who Was the Real Henry III?

What makes someone a king? More importantly, what unmakes a king? Henry II’s experiment in co-kingship saw one Henry III fall and another rise.

‘A Perspective View of the City of Naples’, by Thomas Bowles III, 18th century. Yale Center for British Art, Paul Mellon Collection. Public Domain.

‘Naples 1343’ by Amedeo Feniello review

Naples 1343: The Unexpected Origins of the Mafia – Amedeo Feniello’s history of the Camorra – has this much in common with the case against them: it’s all about the evidence.