Who’s Afraid of the Jazz Monsters?

Moral panic in 1920s’ America was expressed in headlines such as one from the Kansas City Kansan of 16 January 1922 that trumpeted the perils of ‘Vampires, Jazz, Joyrides [and] Turkish Immorality’.
While ‘vamps’, motorcars and Eastern influences were favourite targets of the press, the fiercest language was reserved for jazz. By the early 1920s, jazz was all the rage, bringing not only a new musical language, but a new way of life. The censorious public discourse connected jazz with insanity, drug addiction, chaos, the primitive and bestial, criminality, infectious disease, the infantile, the supernatural and the diabolical. Across the United States, writers, politicians, music educators, critics and ministers framed jazz as a monstrous threat.








