Haworth Parsonage, the Brontë family home, mid-19th century.

Haworth Parsonage, the Brontë family home, mid-19th century.

The Enigma of Emily Brontë

Since the moment Emily Brontë died we have tried – and failed – to understand who she was. 

Although Wuthering Heights (1847) is now acclaimed as a classic of English literature, its author has been remembered less fondly – and rather unfairly. Across numerous Brontë biographies from the Victorian era onwards, Emily has been portrayed in a range of unflattering ways and as the weirdest of the ‘three weird sisters’ – as the poet Ted Hughes called them. She is cast as an old-fashioned, people-hating spinster who roamed alone on the Yorkshire moors with her dog, or as a socially awkward girl-woman who made herself sick – deliberately – whenever she left home. Elsewhere, she is an obstinate figure who refused medical treatment when she needed it most, or an ethereal soul too fragile for the real world. With such eccentric portrayals, it is no wonder that, as the novelist Muriel Spark said, Emily is continually perceived as ‘no normal being’.

To read this article in full you need to be either a print + archive subscriber, or else have purchased access to the online archive.

If you are already a subscriber, please ensure you are logged in. 

Buy Subscription | Buy Online Access | Log In

If you are logged in and still cannot read the article, please email digital@historytoday.com.

Get Miscellanies, our free weekly long read, in your inbox every week
X