Francis J. Bremer introduces a true Renaissance man; Thomas Hariot, man of action and ideas.
A veteran of Poitiers, writes Neil Ritchie, John Hawkwood served as a mercenary in Italy; twenty years in the service of Florence.
The Renaissance in Italy, writes Alan Haynes, was enhanced by the arrival of scholars from Byzantium towards the end of the fourteenth century.
Nicholas Henshall examines the politics of aristocratic culture in Europe between 1650 and 1750.
Michael Greenhalgh describes how a masterpiece of fifteenth-century Italian art was for a long time used as an ashtray, only to pass into the national collections.
Elka Schrijver describes the art and making of a northern Renaissance man.
From A.D. 400, writes E.R. Chamberlin, imperial Rome was subject to pillage and plunder, but Popes in the Renaissance destroyed in order to rebuild.
Alexander Lee attempts to rescue the Borgias from their baleful reputation.
Much of our evidence for the past comes from paintings and sculpture. But how reliable is this source? Kenneth Clark examines the history of forgeries in art and discusses the motives of the forgers and the reasons for which what now seem to us obvious forgeries were accepted in their time as authentic. He concludes with a discussion of the ethical problems raised by forgeries.