'In my Father's house there are many mansions'... but whether or not they could accommodate Gandhi and Hindu nationalist aspirations was a question that exercised British theologians and Christian politicians between the wars. Gerald Studdert-Kennedy charts the relationship between them and the apostle of non-violence against the British Raj.
Aram Bakshian Jr. and Geoffrey D. Schad look at the Indian state of Hyderabad from the 18th century to the last days of the British Raj, and at its rulers who echoed the glories of the Mughal court.
John M. MacKenzie looks at a legendary railway station.
Keith Nurse examines a collection of Indian art at the Powis Castle in Wales.
Susan Bayly looks into an Indian Museum in the southern state of Tamil Nadu.
Emancipation in British Guiana brought an influx of indentured labourers from India, whose working and living conditions were destructive of caste and culture, and often as harsh as those of the slaves they replaced.
Judith Brown surveys the relevant literature for understanding Indian society and history.
The buildings the British built in India tell us much about how the British shaped India's conception of the past, explains Thomas R. Metcalf, and how they turned India's architectural heritage to the service of the Raj.
The art of India is a vital cultural expression of India. As Partha Mitter explains, it is intertwined with assertions of nationalism, the equation of modernisation and westernisation, and a desire to preserve the cultural heritage of India.
The British had been trading in India since 1600. As R.W. Lightbown, it was not, however, until the late eighteenth century that British interest in Indian culture burgeoned and was carried home by the traveller.
