Volume 64 Issue 12 December 2014
Roger Hudson gives context to a photograph highlighting the plight of Galician Jews after the Russian army's invasion in the Great War.
Olivia Williams takes issue with some of the wilder assertions and anachronisms contained in Thomas Maples’ otherwise engaging 1991 article on the 18th-century gin craze.
From Piketty’s trumpet-blast to the great deeds of medieval saints, ten leading historians tell us about their best reads from 2014.
As the Ebola outbreak in West Africa continues its dreadful march, Duncan McLean looks at the 600-year-old practice of isolating individuals and communities in order to bring an end to epidemics and assesses the effectiveness of such measures.
Thomas Penn and his colleagues have embarked on a project to publish a series of short biographies of England’s and, subsequently, Britain’s monarchs. Why is the study of kings and queens still relevant in our less than deferential age?
The much-loved film first appeared in theatres on December 15th, 1939.
Brunel's crossing opened on December 8th, 1864.
Vladimir Putin is by no means the first Russian leader to threaten his neighbours with force and annexations. Two centuries ago European statesmen faced a similar predicament. Only then it was Poland at stake, not Ukraine, as Mark Jarrett explains.
The crisis in Ukraine has revealed to the world the divisions that exist throughout Europe about how the Second World War is remembered. Gareth Pritchard and Desislava Gancheva look at the controversial debate around wartime collaboration.
Do war toys encourage violent behaviour and make conflict more acceptable? Or do they offer genuine insight into military history? Philip Kirby, Sean Carter and Tara Woodyer examine the evidence.
The young men who surrounded Henry III of France have been dismissed by some historians as effeminate, inconsequential sycophants. Robert Knecht offers a very different account of their activities and influence.
Richard Dale investigates the mysterious death of Richard Hunne in Lollards Tower at Old St Paul’s, one of the most notorious episodes of the English Reformation.
The painter’s reaction to the Jacobite Rebellion is more than mere satire.
A 90-year-old photograph of the future dictator soon after leaving prison still manages to fool the world’s media outlets.