The Water-Babies Between God and Darwin

Charles Kingsley’s The Water-Babies was a Victorian fairytale that straddled religion and science, railing against Darwinism in the face of nature’s mysteries. 

Tom in The Water-Babies, Jessie Willcox Smith, 1916. Library of Congress. Public Domain.

Born into an illustrious scientific family, the future biologist Julian Huxley was a precocious child. At the age of five he came across a caricature by the eminent illustrator Linley Sambourne in the enormously successful children’s fairytale, The Water-Babies, written by Charles Kingsley. First published in 1863 with only two plates, it had sold so well that Sambourne was commissioned to produce a lavish new edition. The central character is an ill-treated chimney sweep called Tom, who falls into a river and is transformed into a water baby. During a long series of encounters with other children and teachers living beneath the surface, he eventually learns to follow the codes of Christian morality – the book’s major theme. In the illustration Julian recognised his square-jawed grandfather, Thomas Henry Huxley, brandishing a magnifying glass as he peers at a small naked boy imprisoned in a flask of liquid. Next to him is a balding scientist in a check jacket – Huxley’s arch rival, Richard Owen, an obstinate man renowned for nurturing enmities.

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