David Nicholls calls for curriculum reform so that the past might have a future in England.
David Nicholls analyses the potential job market for history graduates.
David Nicholls demonstrates that history, rather than being ‘irrelevant’, is a passport to success in the world of work.
David Nicholls explains what is not included in a modern French film looking at love, betrayal and anti-colonialism in 1930s South East Asia.
David Nicholls on a broad look at cinematic depictions of the past
David Nicholls examines the central position of Satan in early modern French popular culture.
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