Volume 46 Issue 5 May 1996
Chris Townsend focuses on the recent furore surrounding child nude photography and discovers that our forebears were not so camera-shy.
Simon Smith questions our image of buccaneers as bloodthirsty opportunists claiming they were often highly organised and efficient businessmen in the waters of the Caribbean.
Sheridan Gilley challenges the notion that ‘truth’ in history is unattainable.
Simon Adams goes through the household accounts of a Tudor courtier to give a revealing insight into his lifestyle and milieu both at and away from Gloriana's court.
Bill Murray investigates the politics of social housing in the Austrian capital.
Liz Sagues on how archaeologists are cutting their teeth on the Museum of London Archaeology Service
Richard Hodges soaks up the atmosphere at the Temple of Aphrodite, Knidos.
David Ellwood discusses America's cultural take-over of Europe in a seemingly innocent Italian 1950s comedy called "Un Americano a Roma". The comedy features a hapless hero whose attempts to Americanise himself mirror Italy's struggle to handle a clash of cultures after World War II.
Ann Hills introduces a British Council exhibition on Polish-British relations.
Charles Harvey and Jon Press examine the aesthetic achievements of the multi-talented and pioneering early Socialist.
15th-century ship The Matthew features in the first International Festival of the Sea.
Why the Allies Won
By Richard Overy - Jonathan Cape, 1995 - xiii + 596 pp. - £20
Nazi Germany at War
By Martin Kitchen - Longman, 1995 - 352 pp. -£38 (hb) £12.99 (pb)
The Channel Islands. Occupation and Liberation
By Asa Briggs - Batsford, 1995 – 96pp - £7.99